SEXUAL OPPRESSIONS AGAINST WOMEN IN LUSTER NOVEL BY RAVEN LEILANI 2020
Abstract
This thesis explores the theme of sexual oppression against women as portrayed in Raven Leilani’s Luster (2020). Using Patricia Hill Collins’ Intersectionality as Critical Social Theory, the study examines how the main character, Edie, experiences oppression in the form of sexual violence, fetishization, and workplace exploitation. Through qualitative textual analysis, the research highlights how overlapping factors of race, gender, class, and age shape Edie’s vulnerability and limither agency. The findings show that oppression in the novel is not only enacted through intimate relationships but also reinforced by professional and socialstructures, reflecting the systemic inequalities faced by many women of color. At the same time, the study analyzes how Edie navigates and resists these oppressions, revealing strategies of endurance and survival in response to intersecting pressures. By centering Edie’s narrative, this thesis contributes to discussions on sexual oppression and demonstrates how contemporary fiction can critique structural inequalities while amplifying marginalized voices.
References
Arslan, D. (2024). Representation of violence in Alice Walker’s The Color Purple and Toni Morrison’s The Bluest Eye in line with the New Historicism. International Journal of Media, Culture and Literature, 10(2), 91–112.
Buchwald, E., Fletcher, P. R., & Roth, M. (2005). Transforming a rape culture. Milkweed Editions. DiYanni, R. (2000). Literature: Reading fiction, poetry, and drama. McGraw-Hill.
Gavey, N. (2005). Just sex? The cultural scaffolding of rape. Routledge.
Griffith, K. (2010). Writing essays about literature: A guide and style sheet (8th ed.).
Wadsworth. Hill Collins, P. (2019). Intersectionality as critical social theory. Duke University Press.
Hooks, b. (2000). Feminism is for everybody: Passionate politics. South End Press.
Sadeghi, Z., & Mirzapour, N. (2020). Women of Gilead as colonized subjects in Margaret Atwood’s novel: A study of postcolonial and feminist aspects of The Handmaid’s Tale. Cogent Arts & Humanities, 7(1), Article 1785177.
Karageorgos, E., Boyle, A., Pender, P., & Cook, J. (2023). Perpetration, victimhood, and blame: Australian newspaper representations of domestic violence, 2000–2020. Violence Against Women, 30(12), 2148–2173.
Kennedy, X. J., & Gioia, D. (2013). Literature: An introduction to fiction, poetry, drama, and writing (12th ed.). Pearson.
Klarer, M. (2004). An introduction to literary studies. Routledge. Leilani, R. (2020). Luster: A novel. Farrar, Straus and Giroux.
Meyer, M. (2005). The Bedford introduction to literature (8th ed.). Bedford/St. Martin’s.
Nirwinastu, D. G. (2021). Oppression towards women as depicted in Marge Piercy’s selected poems. Journal of Language and Literature, 21(2), 453–463.
Pickering, J. H., & Hoeper, J. D. (1997). Literature. Prentice Hall.
Smart, C. (1995). Law, crime and sexuality: Essays in feminism. Sage.
United Nations. (1995). Beijing Declaration and Platform for Action. United Nations.
https://www.un.org/womenwatch/daw/beijing/platform/.
Wilson, R. D., & Creswell, J. W. (1996). Research design: Qualitative and quantitative approaches. Journal of Marketing Research, 33(2), 284–286.
World Health Organization. (n.d.). Global and regional estimates of violence against women. World Health Organization. https://www.who.int/publications/i/item/9789241564625.


